This week’s New York Times Book Review features two articles — “Dead Again” & “It’s Alive” — about the possible demise or longevity of the printed book. Authors Price and Silverman pepper their separate arguments with predictions and descriptions made hundreds of years ago — my favorite of which includes a future where no one walks to the public library anymore; there’s an airplane drop-off service.
Silverman quotes Thoreau to make the distinction between books and other forms of art that can connect us with humanity: “[The book] is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips; — not be represented on canvas or in marble only, but be carved out of the breath of life itself.”
Words on a page may not be as striking to look at as a painting like Munch’s The Scream, but a book can produce just as much, if not more, emotional stimulation and connection with life as we experience it everyday. Some have argued that film would take the place of books as the primary storytelling medium. And yet, more and more films are based on stories told in books first (The Help, The Bourne Legacy, The Hunger Games). Films are indebted to books; they would never replace them entirely.
What about e-readers & e-books overtaking the printed book? Again, the electronic version of books are indebted to the printed version. The e-readers simulate the turning of a page. One mimics the other. Trains did not disappear when planes were invented; you still “board” both. Farms didn’t disappear when scientists learned how to make food entirely in a lab. Sure, MP3s have trumped CDs, which have trumped tape cassettes, but music has no replacement. The format is not the issue; it’s the medium that matters.